Monday, 22 August 2011

The Gentlemen Travellers (Episode One): The Ridgeway.

Dawn breaks at Segsbury fort - The Ridgeway.


Christchurch Meadow: Oxford.

Inspired by those topographical geomancers of yore: Fiennes, Theroux, Defoe et al and our contemporay explorers of our Isles such as, Nicholas Crane and Ed & Will, Monty set about employing a faithful companion to roam the English landscape with.  Monty first encountered Mr. L G Thompson some years before whilst Church Bell-ringing in Oxford; both of us sharing a love of said bells and late-night drinking dens. Our first adventure would be we determined, along that vast ridge of chalk downland; much trodden since our ancients established the 'Ridgeway' route which, traverses the land. On the 14th September 2010, I met L G Thompson back in Oxford - neath the pepper-pot of Wren's Tom Tower of Christchurch as, 'Great Tom' struck two and cattle grazed among the frittiliaries of the meadow.

We boarded the bus for Wantage on St Aldates; our rucksacks laden with camping emphemera. The bus-journey seemed quite normal until we reached the fringe of Grove village, whereby our bus came to a stand-still behind a line of traffic. Following some length of time, our chubby bus-driver ventured to see what the concern was. He returned some five minutes later, supping at a roll-up cigarette and simply informed us that " the bus is going no farther, ya'd be better off to wark!". Arse and buggery, thought we. Leon also lit a cigarette and, we both hoiked-on our rucksack's following procession-like with the other muttering passengers. At the head of this procession was another abandoned local bus with, a rather stressed driver also gripping at a roll-up and, refusing to budge his bus. Oh well, just a mile or so into Wantage town.


Wantage: Mr Thompson contemplates the A338 and the climb onto the Ridgeway.


Wantage. King Alfred was born here in the ninth century, where once stood an Anglo-Saxon palace. It is considered as a centre for venturing the Berkshire Downs and the White horse Vale.  Horses, horses horses. They have been associated with these nearby downs for aeons. The ancient 'Uffington white horse' hill carving has gazed down upon the vale for 3000 years; beguiling all who see it.  Race-horses have been bred and trained here over time.  Lester Piggot (jockey) was born in Wantage. As for ourselves, Wantage is a brief encounter today. As the school-children pile into the town at the end of their day, Mr Thompson and I head to raid the towns' Waitrose store for 'sensible' food-stuffs to accompany us on our impending journey.

We re-emerge armed with a 6-pack of Carling lager and a box of cheap red wine (sensible foods); bread and cheese accompanying. We wander into the spitted threat of rain and say "tatt-ta" to the Victorian statue of Alfred that dominates the market square, finding the A338 south onto the downs.

The A338 - The Downs & White Horse Vale.

The road is steep as it leaves Wantage. Slowly the houses become wider-spaced apart, pavement diminishes and the ethereal drone of distant motor cars take over. We are finally on our journey; the chalk escarpment casts its dominence ahead of us. I tell Mr Thompson that this is the hardest part of the walk - the approach onto the Ridgeway. The berries and fruits of mid-September fill the hedgerows of the farmland peripheries.

We have devised means of entertaining ourselves over the course of this adventure, largely by dueting vocals on 'power ballads, a small transisitor radio and documenting our walk by means of oral dialogue on a digital voice recorder; this requiring regular updates.., the wind whistling into it's tiny microphone. We rest a short time against some farm buildings and relieve ourselves of urine then, revitalise with a can each of the already warming Carling lager. We are joyous, such adventures are rarified in modern ways of life. We play the pocket radio - Henry Kelly hosting the popularist Classic FM - 'The Lark Ascending' - for it's millionth time. Our people used to walk the land, as we do ourselves today. The car is king these days. I think of Hardy's 'Angel Clare' in Tess of the D'urbervilles who also explored Wessex by foot, the first time he encountered the tragic Tess.




















We reach the Ridgeway.

It is now 17:00pm. Before this journey took place, I noted the time it would get dark. We needed to have camp set-up by 18:30, latest. Consulting the map, amid glorious names of downland hills and villages, it seemed that the Iron-age hillfort of Segsbury would be our ideal over-night stopping place. We turned onto the Ridgeway, already chalk rubble eversing our treads. Already, we become acutely aware of walking territory politeness. "Hallo", every passing walker or jogger!; folk we would otherwise ignore in day-to-day mundanities; as they would us. My friend and I stride forth to Segsbury and it's huge ramparts, fractured in half by an ancient track-way.


The Iron-age fort of Segsbury.


Segsbury Camp: Letcombe Regis.


Our pitiful home.

We find a sheltered embankment after determining wind direction and, the invaluable factor of remaining relatively hidden from walkers and farmers; remember, we are illegally camping and, know for sure we will be just a 'little boozed' on that cheap red wine. Segsbury feels like a special sacred place. What is now an isolated hill-top of the modern-age was once, an occupied site; an early village. The wind whistles through it's grassland. Before darkness only several people appear within Segsbury, walking their dogs. We pitch my tiny light-weight tent, creating a temporary home for the night. As the sun begins to diffuse the day and candles lit, we look down upon the village of Letcombe Regis; several miles below on the vale. This is for Thomas Hardy, the literary village of Cresscombe in 'Jude the Obscure'; the place where the fatalistic protagonist Jude Fawley derives. I drunkenly ask Mr Thompson what his favourite book is, "Facebook", he replies. One of many of our voice-recorded diatribes.


Lights out darling.

The night sets in, and we appear to have camped on a nest of spiders, the booze adds elavated volume to our girlish squeals each time another 'crawler' is discovered.., biscuits and peanuts becoming pestled into our bedding. The radio flickers between 'local call-in show & radio four; We immitate 'The Archers (Ed Grundy) and we discuss important matters such as Guns & Roses as Reading festival headliners that year, sing falsetto to (Billy don't be a Hero) & excacerbate David Bowie to 'Life on Mars'. Mr Thompson ignites cigarettes and we, in turn attempt to urinate from the tent-door; a defeating process.., feet do become damp and, the wind does blow on hill-top promonatories. Before we know it, we hear the Shipping forecast & BBC World service and, so to sleep...  red wine smiling.

The Devils Punchbowl.

We wake at dawn, just a few short hours of precious sleep. We talk of how, as soon as the 'human gets back to the land', our natural body-clocks adapt to how it is intended without, the distractions and light pollutions of modern day. Within a short time, we are back on the chalk path and, look down on the glorious 'Devils Punchbowl'; it's lush curves once a sea-bed.  To our left are the racehorse gallops, down in the valley lies Kingston Lisle. We pass also Sparsholt Firs and the Water-tap in Memory of a boy named Wren; we are grateful to him.




TheWren Water-tap & sinister dead Moles; hanging by straw on barbed wire.




The weather has taken a turn for the worse. We walk South-west, into the slanting rain. The terrain is tiresome; lumpy chalk and flint in abundance. We pass constant Ridgeway sign-posts with promises of near destinations that, do not emerge so quickly as they promise. As we pass the 'Devils Punchbowl' and gaze upon its sea-smoothed wonder we, notice a line of dead moles strung upon a barbed fence aside the gallops; whatever are these for, we ponder? There exists more than one Devils Punchbowl; I know of one on the South Downs.., Christianity applying 'namesakes' to the pagan landscape. This is a natural auditorium that I suspect our ancients used to gather within. Very few people on the Ridgeway, just several joggers and  a 'horsey mother and daughter'; miserable, barely breaking into a grimace at us; us, the waist-coated travellers.
Monty at The Devils Punchbowl.



Mr L. G Thompson.

Between short breaks, we reach White Horse Hill. A sense of some achievement when standing beneath the familiar forest green/acorn of the National Trust sign. We both know the horse (or Dragon) well and, decide to not bother the climb over the Uffington Hill-fort so, following a couple of windswept photographs and a digital voice recorder update, we continue onwards to 'Waylands Smithy.  Now, for Mr Thompson, the Smithy is a foreboding place; he came here some years before and, on entering the Neolithic chamber something disturbed him and, his sleep thereafter. I also camped here some years before when rained-off my walking and, not realising it was the pagan (Beltane) spent the night in the adjourning copse keeping a low-profile and listening to the percussions of celebration through and beyond the next dawning day. No other souls around today though, save a tractor turning on the neighbouring farm. Wayland is cloaked in dark trees. Whilst this is a Neolithic place, the Saxons attributed their Norse God Wayland to the site with 'horses being shod' at the gesture of a coin; left for Wayland; typical of the Saxon story-telling tradition.




Monty & Mr Thompson reach White Horse hill.

The path of perpetual chalk continues, endlessly horizons appear and diminish before us. The chalk rubble; the product of dead sea-creatures from aeons afore us. The drones of motor cars can still be heard as, they were when we first left Wantage and despite our progressions, the power station at Didcot remains in clear view - much to Mr Thompsons chagrin.


Mr L G Thompson at Wayland.

Horses.

We leave Waylands Smithy. Mr Thompson vows to return in another eight years as, it has been eight years since he last came here. The rain continues to perpetuate. Monty has to do the unmentionable; yes, crapping in the woods, so after some time nervously squatting over a Badgers lair, I re-emerge feeling slightly repaired and aided by the great investment of cuccumber wet-wipes. Mr Thompson mocked then, realised he had to perform the same. We laughed and, continued on our way; the path of perpetual chalk. The rain causing a slight tinge of misery; cold hands, rain trickling down the face & the knowledge of a punctured small tent 'fed the fear. We had found old snapped branches earlier that, became our 'pilgrim walking staffs'. Past constant Ridgeway signs we walked; telling us of promised villages ahead. We eventually make it onto the road dissecting the Ridgeway into Ashbury village. We are steep on the ridge; our heads aloft in the misty rain-clouds. We turn right, off the Ridgeway & make our way down into the potentail humanity of a village; a quest for hot food and warmth.



Mr Thompson at Ashbury (St Marys) - he found an aged pedal organ and hammered out some Bach.



Ashbury - Thatched Holly-hocked picturesque and a warm Ale house.

We took food in the cosy warmth of the 'Rose & Crown' in Ashbury; an average fare of food.., conjurred by a barmaid or as Mr Thompson put it on the digital voice recorder "The food was tastier than the bar-maid"; said the cruel cad.

We later found St Marys Church; Norman era details with later mediaeval transitions. Mr Thompson pedalled at the ancient church organ and broke out into a deafening Bach Baroque number; easily audible around the village.., "There are strange waist-coated gentlemen broken into the church"; I imagined being said by neighbourhood watchers. And then it hit us..,  Bugger it, lets check out the bus times and sod off back to Oxford, which is exactly what we did - via train to Swindon and a change at Didcot; the power station haunting us further. Neither of us could face the 3 miles up-hill onto a dreary weathered Ridgeway and a further night under damp-sodden stars.

Wednesday, 29 June 2011

A Coventry Carol: Pageant of the Shearmen & the Tailor.

Beautiful, surviving mediaeval glass - St Michael's Coventry.


Coventry lies in a hollow in the heart of England. This was once one of our magnificent mediaeval cities until Luftwaffe incendiary bombs ravaged it on the night of November 14th 1940 which led to the post WWII brutalist concrete that followed.  It is certain that some detective work needs to be done yet there within the parameter of its mostly diminished City walls, exists some true treasures of this once- glorious 'manifest of the mediaeval'.

Once, Coventry was a clearing within the vast ancient Forest of Arden, emerging from its Anglo-Saxon beginnings to become the fourth largest Mediaeval City in England. We can associate Coventry with the legend of Godiva, Edward the Black Prince, the soaring spires of its ancient Churches, A Mediaeval Carol, Bicycles, Motorbikes, motor-cars and the post-modernist art that lies within its new Cathedral.

Countess Godiva (Old English: Godifu - God gift) was wife to Leofric. He was made Earl due to the pious deed of founding the monastery of St Mary’s in Coventry. Godiva famously rode the streets naked astride a horse as a public protest to her husband's heavy taxation. He vowed to change this should she ride naked through the Coventry streets. She did, all eye's averted that is, except for the peeping Tom! Of course this probably derives from the oral narrative of story-telling tradition which was endemic in pre-conquest England. This representation of Countess Godiva is in the exceptionally lovely Mediaeval Merchant's Guildhall. This is one of England's finest Guildhalls' of this date and we are thankful for the guildhall's survival from aerial incendiary attack on November 14th 1940.


     Countess Godiva with her tits out: Coventry Guildhall.


Coventry also lays claim as being home to Edward of Woodstock, the Black Prince and Son of Edward III. Coventry’s motto, Camera Principis (Latin: The Princes’ Chamber), relates to this. The Black Prince (born at Woodstock, Oxfordshire on June 15 1330) actually lived at Wallingford Castle, Oxfordshire, and is believed to have spent much time at Cheylesmore Manor; a house that still survives in central Coventry. The Black prince epitomises the age of chivalry (Chivalry from the French Chauvaux) after fighting at Poitiers, Cre'cy, Limoges and Caen. Edward died on 8 June 1376, a year before his father, and was the first Prince of Wales not to become King of England. Edward the Black Prince was also one of the first princes' of Wales and the familiar white plumes are immortalised in a stained-glass window.


 The Black Prince                                                              The Guildhall - Coventry.

From the early Priory of St Mary's, Coventry developed with further monastial instituations and the Cathedral scale parish churches of St Michael & Holy Trinity. Coventry was a successful Mediaeval city famed for its weaving and textiles and in particular Coventry 'Blue Cloth'. The expression 'True Blue' is derived from this quality cloth.


True Blue: Coventry Holy Trinity. The central chancel crossing vaulting; ribs, tiercerons and liernes against the Victorian Turquoise and stars of exquisite gold.

Another expression is derived from the city: 'being sent to Coventry'. The origins of this comes from the English Civil War. In 1648, Cromwell sent many Scottish Royalist soldiers to be confined within the church of St John's in Coventry. These soldiers were excercised in the city streets and shunned by Coventry's locals; this was a parlimantarian place which lead to the familar saying.


Blitzed: Fire-scorched St Michael's - typical 1600's skullery.


Architecturally, there are many treasures to be found in Coventry: the early ruins of St Mary's priory, fragments of the mediaeval city wall and gates, timbered streets in the Cathedral vicinity, mediaeval almshouse/hospitals and the fire-scorched ruin of the Cathedral Church of St Michael with its intact tower containing a magnificent 32cwt ring of twelve bells cast by Gillett and Johnson of Croydon in 1927. The new Cathedral (Architect -Basil Spence) reminds me a little of my 1960's school assembly hall. A brute of post-modernist void yet I confess to adoring the treasures of art that lie within.


Graham Sutherland: Christ in majesty, Coventry Cathedral
(the largest tapestry of its time)


Coventry Cathedral - Glass by John Piper (detail).


For Monty, Coventry's enduring legacy is the 'Coventry Carol'. This beautiful survival of verse is not a Christmas Carol but derived from Mediaeval Corpus Christi mystery plays (performed around Easter-time); this one being ‘The pageant of the Shearmen & the Tailor’. The oldest known text of this is dated 1591 and scribed by a Robert Croo. It is rare in that it is a terpsichore; each verse ending on a major from its minor key.  It is also an uncomfortable tale within its lyrics describing the story of King Herod slaughtering newborn male children (Matthew 2:16).


Fords Hospital remains an Almshouse. A WWII bomb fell onto this ancient building killing many people. The building is testament to the continuing survival of Coventry and the care towards these buildings.






Coventry: St Michael's ruins.


Coventry has also been the home to bicycle and car manufacture which derived from the sewing-machine factories. As 1980 arrived, Coventry saw itself placed on the music map with the Ska revival 2-Tone label ‘The Specials’ capturing the economic mood of the times with 'Ghost town'. God's own Garage band 'The Primitives' also momentarily propelled Coventry into the cool Indie consciousness in the late 80's.


The Coventry Carol:

The Primitives - Thru the Flowers:


The Specials - Ghost town (Glastonbury 2009 footage):


The Coventry Blitz Documentary (part I):
http://www.youtube.com/watch?v=Qu_vHs8fnvw


Bicycles, glorious Coventry bicycles!!!





Photography & text by Monty Trumpington 2011. edited by Mr L G Thompson.










Thursday, 9 June 2011

Aldeburgh: Britten's legacy.

"I hear those voices that will not be drowned"





Curious painted Villas' stand facing the sea, their picture windows thrown open to capture the bracing North Sea winds and the sound of the shifting shingle shore. Salt worn shacks proffer their sea-food treats and Gull's swoon predatory over strewn fishing nets and those brave enough to walk openly with food. This is Aldeburgh (Old Fort,) an area of outstanding natural beauty (ANOB) which has been immortalised in Benjamin Britten's opera 'Peter Grimes'.






It is the A1094 that will take you to Aldeburgh, through the beautiful Suffolk landscape and curiously named Anglo-Saxon village’s resplendent with their village greens appearing little unchanged since that time. Heath, woodland and characterful houses surrounded by their moats evoke the beautiful writings of Roger Deakin who lived in and loved this part of England.

It is, of course, Benjamin Britten who made Aldeburgh his home and subsequently famous for its annual music festival in nearby Snape (The Maltings) which he, along with singer Peter Pears and librettist Eric Crozier, founded in 1948. Britten settled here with his partner, the Opera singer Peter Pears in 1947 and the sound of the sea can be prominently heard in Britten’s work. He set about making Aldeburgh a home to music with the instigating of the music festival. Both Britten and Pears are buried 'side by side' in the parish graveyard of SS Peter and Paul church. A memorial window created by artist John Piper can be found here. http://www.aldeburgh.co.uk/

Aldeburgh: Heath and wild flowers greet the shingle shore.

 The charm of Aldeburgh is the shoreline and wild flowers. Winter lilac and swathes of fennel dominate and stand proud. The 16th Century 'Moot hall' appears foreign in its isolated positioning with its late mediaeval architecture on the sea-edge. To the south stands a Martello tower and a converted windmill; architectural follies in the maritime. We must remind ourselves that this is also where great ships were once built. Francis Drake's 'Greyhound & Golden Hind' were made here in Aldeburgh.
 






Aldeburgh High Street is home to a handful of galleries, of sorts; mostly 'daubs' yet the Peter Pears gallery is more notable. The visitor will come to discover Aldeburgh’s famed 'Fish & Chip' shops. These two shops have been owned by the same family since the 1970's and are widely known to be the very best on the east coast, should such a thing exist.

Aldeburgh’s only drawback is that it attracts hordes of pretentious middle-classes posing with designer pushchairs and threatening their children with the 'naughty-step' and a visit from Gary Glitter (sic - comment by Mr. L Thompson). Let this not deter you, they drive back to the 'home counties' by tea-time and leave us to the ghost of Peter Grimes and the haunting sound of Britten, miasma-like in the wind and crash of wave.





To the north of Aldeburgh stands 'the scallop’, a work by Suffolk artist Maggie Hambling (2003) which stands amid the shingle. It’s fan shaped metal shell akin to a WWII listening device. It carries the Peter Grimes line "I hear those voices that will not be drowned". Imposing and controversial for this very reason, it appears an appropriate gesture to the great place.



The Scallop (2003) Maggie Hambling.




Aldeburgh is indeed a treasure. I find myself contently coming to spend a week in winter here. It is all about the wind, sea and the music of Benjamin Britten. Enjoy and treasure this truly special place.


Monty Trumpington. June 2011.



A link to a short piece of film by make space film company:









Tuesday, 24 May 2011

Ledbury: Poetry in Architecture



At Hagley the train slowed, halting amongst the laden Horse Chestnuts. The russet tones are embers of a dying summer cut all too short. Sweet railway embankments are natures dream... I’m in no doubt these carpeted slopes provide dens for skulks of fox’s and numerous badger setts. The idyll surroundings are cut all too short as Kidderminster encroaches with its dominating towers of red-brick carpet factories puncturing the sky.

I’m forced to switch train at Droitwich Spa, a transaction which leaves the traveller with fifty minutes to roam. At first glance, Droitwich consists mostly of mini-roundabouts and a tired shopping precinct although an old High Street elicits a more charitable age to charm. This curved, spine-like street, leads to the relic of St Andrew’s parish church. This is a strange gem on the eye with its squat tower and clues which indicate to a once important past. Droitwich’s mother church is perched on a cliff ledge away from the town - occupying a once pagan site. Back to the station and its coffee kiosk (Snax on Trax) for a polystyrene cup of coffee and Kit Kat for under £2 and I board the train heading into the Malvern Hills and beyond.

This train trundles through Great Malvern and its 'Spa-era Victoriana' as I travel onwards through the hills, tunnelled to Colwall. Here stands the noble 'British Camp'; A Geological layer-cake of antiquity and Iron-Age ramparts, surrounded by a sea of harvested golden bale-rolls casting long shadows.

I turn out of Ledbury Station. The first turn on the left is 'Masefield Avenue', the location of new Neo-Georgian starter homes. I’m left uncertain as to what our hero poet would make of this endorsement. Let’s not worry; it’s only a minor blemish on this otherwise lovely town. Ledbury’s main street is wide and gracious. Glimpses through gaps provide long vistas towards the slopes of Herefordshire & the Frome Valley. A High Street Antiquarian book-dealer sells the arses off Ledbury’s poets: Browning & Masefield and a claim to Piers Plowman, too. The shops frontage panging the heart with its fluttering of weathered, aged OS & Bartholomews maps on its  stalls.

Glass: Kempes' wheatsheaf motif: St Michael and All Angels, Ledbury.

Ledbury (St Michaels - Mediaeval glass fragments salvaged in the North Chancel Chapel)


I head directly to the delicious Church Street. This is one of England’s most prized views, probably having graced many a jigsaw puzzle. I had chosen the wrong day to visit the Church. I ventured in sandwiched between several big-hatted society weddings. The wide brimmed and feathered heads barely able to pass through the arched mediaeval north door. They had paid for the bells to be rung though and a pleasing course of 'Grandsire Triples' radiated from louvers of the beautiful detached campanile along with the old wedding favourites of called changes: "Tittums & Queens". The church is an eclectic affair. A lofty, bold Norman chancel is surrounded by later gothic. The north chancel chapel boats rescued fragmented glass windows by the much under-rated Chistopher Whall (1849-1924) and pieces of architectural stone. A mediaeval wooden rood screen has found its home behind some equally enticing iron-gates.

I exit the wedding party stunned as a highly polished Steinway piano hammers its play and a string quartet strike-up. Could an even more pretentious wedding exist? I leave the church briskly into the churchyard and sit upon a sun-warmed Georgian Tomb, the final resting place of Mr Thomas Blake, Parish Clerk; a beautiful place to be hemmed in by copious Hornbeams and ancient Yews. There is also a rather grand Pear tree, gently reminding me that I am indeed in the midst of Hops & Cider country.

http://www.visitledbury.info/

http://www.visitthemalverns.org/